FoundryInk Academy Academy / Making your work
Making your work

Podcasts and audiobooks

FoundryInk publishes audio as first-class work that plays right in the browser, and there are two kinds to know well: a Podcast Episode, an episodic show that can syndicate out to Apple Podcasts and Spotify, and an Audiobook, one narrated recording with chapters. They share the same Audio studio that Music uses (covered in Make music), so this page focuses on what is specific to each: how a show is actually structured, the settings that unlock the podcast directories, and the real limits of how far your audio reaches. The rest of this page gets your voice out into the world.

Read time about 20 min

1Podcast, audiobook, or music: pick the kind

Three asset kinds share the same audio machinery, and the one you pick sets the framing. A Podcast Episode is one instalment of an episodic show, and it is the only audio kind that syndicates to podcast apps. An Audiobook is a single narrated recording of a book, with chapters and a narrator credit, and it does not syndicate. A Music Track is a song, with artist and album and a looping player, and it does not syndicate either. Same studio underneath, three different jobs.

The New asset step, with Podcast Episode next to Audiobook and Music Track.
The New asset step, with Podcast Episode next to Audiobook and Music Track.See the full screen
The create step tells you which is which in its own words, so read the one-line blurb under each kind before you pick. Choosing wrong is not fatal (it is still audio), but a podcast gets the syndication tools an audiobook does not, and vice versa.
Pro note
Ask one question: is this an ongoing show, or a finished reading of a book? Show means Podcast. A book read aloud means Audiobook. Everything else follows from that.

2A podcast is an episode, the show is your project

This is what creators most often get wrong, so learn it first: a Podcast Episode asset is one episode, not the whole show. The show is the project that holds the episodes. So you make one podcast project, and then you create a new Podcast Episode asset inside it for each instalment. There is no separate 'add an episode' screen: each episode is its own asset, published on its own, and the project they all belong to is the show that syndicates.

A project's asset list, with the Kitt Frost podcast episode among its other assets.
A project's asset list, with the Kitt Frost podcast episode among its other assets.See the full screen
This matters because the show-level settings (your host name, category, the RSS feed) are set on the project, while the per-episode things (the audio, the episode number, the transcript) are set on each episode asset. Two levels, and knowing which is which saves a lot of hunting.
Pro note
One project, many episode assets. The project is the podcast's shelf and each episode is a record you put on it. The shelf is what the apps subscribe to.

3Create an episode and add its audio

Inside your podcast project, choose New asset and pick Podcast Episode (An audio episode that plays in the browser, with chapters and a transcript. Free episodes can also syndicate to podcast apps). The create wizard keeps it short for audio: you set the basics and pricing, and there is no page-upload step. You add the recording afterward, in the episode's studio: Upload an audio file (MP3, M4A, AAC, WAV or OGG), and it plays in the browser once published.

New asset inside the project, with Podcast Episode selected.
New asset inside the project, with Podcast Episode selected.See the full screen
The episode's Setup view: the player, Replace audio, Add transcript and Set preview clip.
The episode's Setup view: the player, Replace audio, Add transcript and Set preview clip.See the full screen
You can upload a finished recording straight in, or build the mix in the multitrack Audio studio first (see the last section). Either way, the audio is added in the studio after the asset exists, not during the create wizard.
Pro note
Record and edit wherever you like, then bring the finished file here. FoundryInk can be the last step, the place it goes live and gets found.

4Set up the show

The show's identity is set on the project, in Settings, under a Podcast card. Fill in Author / host, an Owner email, a Category (the standard list the podcast apps use), and a Language. The show's title, description and artwork are simply the project's own title, description and cover, so set those on the project too. This is the information every podcast app shows next to your show, and, as the next section explains, it is also the gate that unlocks syndication.

The Owner email is not shown to listeners; the directories use it to verify you own the show when you submit it. Use a real inbox you check, because Apple in particular emails a confirmation there.
Pro note
Fill the show settings in once, properly. Every episode you ever publish inherits this, so a minute here saves you fixing your show's name across a dozen apps later.

5Episode details, chapters, and a transcript

Back on the episode, the studio's setup tab holds the per-episode pieces. Episode details carries a Season, an Episode number, and a Type (Full episode, Trailer, or Bonus), which is how apps order and label it (leave season and number blank for a serial show). Chapters lets you drop titled markers so listeners can jump around, and Add at playhead stamps the current time from the preview player. You can Replace artwork (the episode's cover), Add a transcript as a .vtt file, and open Audio metadata for genre, an Explicit content flag, composer and copyright.

Episode details: Season, Episode and Type, with Chapters below.
Episode details: Season, Episode and Type, with Chapters below.See the full screen
The Chapters list, with Add at playhead and Save chapters.
The Chapters list, with Add at playhead and Save chapters.See the full screen
There is no separate 'show notes' box: the episode's ordinary description is what becomes the show notes in the feed. So write that description like show notes, because that is the job it does. Chapters are capped at 200, which is far more than any episode needs.
Pro note
A transcript is not busywork. It makes your episode searchable, readable, and reachable by people who cannot use the audio, and it takes one .vtt file to add.

6Price it, and set a preview

Each episode is priced on its own, the same way any asset is: free to listen online, unlocked by a subscriber tier, or a one-time purchase. Most podcasts are free (and, as the next section shows, free is what syndicates). If you do sell an episode, Set preview clip gives listeners a public teaser and a Free preview length, so they hear a taste and then reach a buy prompt (That's the free preview). To let a buyer keep the actual file, turn on the download format in the episode's pricing, separately from streaming.

The episode's Access and pricing options on the Publish view.
The episode's Access and pricing options on the Publish view.See the full screen
The Set preview clip button in the episode's Setup view.
The Set preview clip button in the episode's Setup view.See the full screen
Because each episode is its own asset, you can mix a free main feed with the odd paid bonus episode. Just know that only the free ones will ever reach the podcast apps.
Pro note
Keep the show free and sell something else, a bonus feed, a subscription, merch. A paywalled main episode never reaches the apps, which is where podcasts actually grow.

7Get on Apple and Spotify

This is the part that makes a podcast a podcast. Once the show's Author / host, Owner email and Category are filled in, you can turn on the feed, and FoundryInk publishes a real RSS feed at a public address. The show settings and each episode's Distribution panel show that feed URL with a copy button, under Publish to podcast apps: Submit this address to Apple Podcasts, Spotify, or any podcast directory. You submit it once in each app's own portal (Apple Podcasts Connect, Spotify for Podcasters), and after that new episodes are pulled in automatically.

Project Settings, Podcast: Save show details and the Publish to podcast apps checkbox.
Project Settings, Podcast: Save show details and the Publish to podcast apps checkbox.See the full screen
Two honest limits. First, submission is manual: FoundryInk generates and hosts the feed, but it does not push to Apple or Spotify for you, you paste the URL into each one yourself, once. Second, the feed only ever carries free, published episodes. Anything sold, subscriber-only or download-only is left out of the feed entirely, because a podcast app would try to cache it as a free download.
Pro note
Submit the feed URL to each app one time and forget it. From then on you just publish here, and Apple and Spotify pull your new episodes in on their own.

8Create an audiobook

An Audiobook is a different shape. Make one with New asset, then Audiobook (A narrated audiobook that plays in the browser, with chapters and a narrator credit. Can link to its written edition). The key difference from a podcast: an audiobook is one audio file for the whole book, not a file per chapter. You upload the audiobook as a single recording of the whole reading, then mark the chapters below it, titled markers at the start of each chapter (again, Add at playhead stamps the time). Add a Narrator (who reads it) and a Reading setting (Unabridged or Abridged).

The New asset step with Audiobook selected.
The New asset step with Audiobook selected.See the full screen
Audiobook details: Narrator, Reading and Written edition, with Chapters below.
Audiobook details: Narrator, Reading and Written edition, with Chapters below.See the full screen
Because it is one file with markers, an audiobook is bought as a whole book, there is no per-chapter purchase, and it does not syndicate to podcast directories (it is not a podcast). Its free sample defaults longer than a podcast's, a couple of minutes, so a listener can settle into the narrator's voice before deciding.
Pro note
One file, chapter markers on top. Record the whole book, drop a marker at each chapter start, and your listener gets a clean table of contents to jump around in.

9Link the written edition

If the book also exists as a written Book asset in your studio, connect them. The audiobook's Written edition picker links the Book it narrates, and the two cross-link on their public pages, so a reader on the audiobook sees a Read the book link and vice versa. Only your own studio's books appear in the picker, and the cross-link only shows publicly once that book is public.

The Written edition picker, linking the audiobook to the Kitt Frost novel.
The Written edition picker, linking the audiobook to the Kitt Frost novel.See the full screen
This is the one place the audio and prose sides of the same story meet. If you publish both a written book and its narration, linking them turns two separate listings into one work a reader can choose how to enjoy.
Pro note
Sell the read and the listen as a pair. A reader who loved the book is your easiest audiobook sale, and the cross-link is what puts it in front of them.

10What the listener gets

Both kinds play in the same browser player, with no download unless you sell one. A listener gets skip back 15 seconds and skip forward 30 seconds, a speed control from 0.75 up to 2 times, the Chapters list to jump around, and, if you added one, a click-to-seek Transcript. An audiobook also shows Read by your narrator, the abridgement badge, and the link to the written edition.

Two honest gaps to plan around. The player has no saved place: it does not remember where a listener stopped between sessions, so long audiobooks lean on your chapter markers to help people find their spot again. And there is no sleep timer. Good chapters partly make up for both.
Pro note
Since the player does not bookmark, your chapter markers are the listener's map back to where they were. On a long book, mark generously.

11The Audio studio, and one export gate

You do not have to arrive with a finished file. All three audio kinds open the same multitrack Audio studio, where you import or record clips, arrange them, and treat the mix with EQ, compression and a limiter. That studio is taught in full in Make music, and everything there applies to a podcast or an audiobook too. The one thing to know here: bouncing the multitrack timeline down into your episode's audio (the Render step) is gated by your studio's export permission.

The Audio studio: tracks, the Mix panel, Limiter, and Duck music under voice.
The Audio studio: tracks, the Mix panel, Limiter, and Duck music under voice.See the full screen
The Audio studio toolbar, with the note that export is disabled for this studio.
The Audio studio toolbar, with the note that export is disabled for this studio.See the full screen
If your studio does not have the export grant, you will not see the Render button, and that is expected. You can still publish audio: just upload a finished file on the setup tab instead of bouncing it from the timeline. Uploading needs a live connection, so do it online.
Pro note
No Render button? You are not stuck. Mix in your own tool, export a file, and upload it here. The studio is a convenience, not the only door.

Put out a show

The path, in order. Links into the app. Saved on this device.

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Questions creators actually ask

No, and this is the big one. A Podcast Episode asset is a single episode. The show is the project that holds them, so you create one podcast project and then a new Podcast Episode asset for each instalment. The show-level settings (host, category, the RSS feed) are set on the project; the audio, episode number and transcript are set on each episode.

Not automatically. FoundryInk generates and hosts a real RSS feed once your show settings are filled in, and shows you its URL. You submit that URL once, yourself, in Apple Podcasts Connect and Spotify for Podcasters. After that, both pull your new episodes in on their own. FoundryInk does not post to them for you.

The feed only carries free, published episodes. If an episode is a purchase, subscriber-only, or download-only, it is left out of the feed entirely, because an app would try to cache the audio as a free download. Also check that the show has its host, owner email and category set, since the feed will not turn on without them.

They work the same way (titled markers you stamp at a playhead), but an audiobook is one audio file for the whole book with markers on top, not a file per chapter. So there is no per-chapter audio and no per-chapter purchase: an audiobook is bought as a whole.

Yes. The audiobook's Written edition picker links a Book asset in your own studio, and the two cross-link on their public pages, so a reader can jump between the read and the listen. The link shows publicly once the book is public.

No. There is no saved playback position and no sleep timer in the audio player today, so a listener who closes it starts that file from the top next time. On long audiobooks, generous chapter markers are how listeners find their place again.

No. Shorts is a full-screen vertical video surface, and audio has nothing to show there but static artwork, so audio kinds are deliberately left out of Shorts. Your audio still appears in the normal Browse rails and on your studio and project pages like any published work.

Bouncing the multitrack timeline down into your asset's audio is gated by your studio's export permission, so without it the Render button is hidden. You can still publish: upload a finished audio file on the setup tab instead of rendering the timeline.

Hit record, then hit publish

A podcast is a project full of episodes with a feed the whole world can subscribe to; an audiobook is one narrated file with chapters and a link to the book it reads. Both play the moment a listener taps them, and a free podcast reaches every app there is. Set the show up once, submit the feed once, and then just keep publishing.

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